What’s 20 minutes within a 24 hour day? Nothing and everything.
Starting before lockdown but sticking to it religiously during, I created a wellness ritual that combined two wonderful inventions: Joovv red light therapy and the Shakti mat. I lay on the mat with bare skin, getting the best of its benefits such as increased circulation, detoxification and lymphatic drainage while bathed in red light coming from my Joovv tablet that boosts collagen production in the skin, heals and reverses aches by reducing inflammation, pains and injuries , rebalances the Circadian rhythm (promoting better sleep and a general sense of calm) and listened to inspiring, heart healing, anxiety relieving, focus boosting, mood improving meditations and music or just enjoyed the silence.
Joov is the Word!
If it can help grow plants in outer space, which is what NASA used it for in the 1990s, you can bet red light (and infrared light) therapy has effects on other live species too – especially locked down vegetables. I researched red light therapy for a long time before settling on a Joovv device, which has incredible reviews from reliable sources, such as professional athletes, health fanatic celebs like Dave Asprey and ordinary folks who like me, want to be reassured their inverstment is worth their while. Joovv is the leader in red light therapy!
Fortunately I don’t suffer from any particular health condition, except a stiff neck and shoulders many a massage therapist has shrilly remarked on. Yet as Joovv became an everyday part of my life it also became my home doctor providing me with help in dealing with everything from mild to acute anxiety, and the insomnia it brought on during lockdown, occasional joint pains that often magically disappeared even within one 20-minute session, and an overall sense of serenity. Usually I used it in my bedroom and positioned it in different areas for 10-20 minutes each, including my face and chest, back and neck and sometimes even my feet or the top of my head (it’s also reputed to help boost hair growth and quality).
JOOVV Red Light is delivered at 660nm, is readily absorbed by surface tissues and cells, leading to enhanced skin health and healing.
Near-Infrared Light (NIR) is delivered at 850nm, is invisible to the human eye and penetrates into deeper tissues, leading to enhanced recovery and inflammation support.
Other members of the household: Interestingly, red light therapy is popular with my cat too, who rushges to lie next to me when I turn it on! It is indeed used by veterinarians in animal clinics to help heal injuries and strains that the dog or cat is undergoing after surgery. My son finds the light too strong and doesn’t like it, yet I have used it on his back when he’s been unwell to help soothe and calm him and it has always sent him to sleep!
Upon receiving my light strength and regular strength Shakti Mats, I immediately disrobed, unrolled this modern-day rendition of the ‘bed of nails’ and lay flat on the floor on my back. Ouch! It is not easy to lie on a Shakti mat without experiencing the seriously surprising ache that comes from its 6000 plastic spikes! I shopped mine from Shakti Mat EU, and was inspired not only by the many health benefits these wellness accessories promised to offer but also that they are ethically produced (fair trade) using organic materials, made by hand in India, not by slave labourers or a factory. Shakti says it supports all its Shakti employees in India with a living wage, an emergency medical fund, and investment in the education of their children. Also, each purchase automatically offers a donation to charities for the Shakti Community projects .
Back to the health benefits – Shakti mats essentially offer a static form of acupressure that occurs as one lies on the spikes. The longer you lie there (the ideal time period is 20 minutes), the more your circulation increases. Indeed, as I grew more and more accustomed to using it, my enjoyment of the warm, relaxed buzz the mat offered me grew deeper. The mat can be used beneath the back to help alleviate aches and pains, under the legs to help boost circulation, under the feet (standing on it) as reflexology and even rolled up and used as a pillow and neck or head therapy. I used it anywhere I felt I needed it, but usually more as a relaxant under my back.
Often, in combination with the Joov red light therapy, the Shakti mat helped me drift into sweet, deep sleep. The Joov tile turns off on its own (it has a timer that can be set from 1 to 20 minutes) anbd the Skakti mat causes no harm if it’s used for longer than 20 minutes.
Shakti mats have bvecome incredibly popular and have received thousands of raving reviews, clearly because they actually work and are sold at an affirdable price. To make the most of your Shakti mat you can follow the Shakti Mat Tutorial, a three part series.
Whether you’re in Athens for a day or forever, it’s great to know there’s a place such as Cocoon Urban Spa where you can receive top-quality therapies for face and body, either as a one-off treat or as a course of treatments that bring results.
As someone who has been passionately interested in holistic wellness for decades, I was among the very first to visit Cocoon Urban Spa when it opened 20 years ago. In my post-lockdown slump, I headed over there to try some renewing and reviving therapies that could facilitate the process of returning to the land of the living.
My Own Experience: Tried & Tested!
I tried the CBD Oil Massage and the vitamin C Facial, in that order. I arrived stressed out from work, life, and a year+ of lockdown inertia and was ready to surrender to the hands of the spa’s skilled therapists. I was not disappointed. The CBD Oil Massage is a head-to-toe therapy using an ingredient that has become widely lauded for its effects in reducing anxiety and muscular pain. The therapist used strong yet caring strokes to ease away my blocks and gracefully accepted my invitation to converse about the therapy itself and various other personal questions regarding my body’s health. I was impressed not only by the fantastically relaxing experience but also by her depth of knowledge and charm.
Next, was the Vitamin C Facial, which involves a face cleansing (with Murad products, not hands or a machine) and a reviving massage that help a strong dose of Vitamin C. Vitamin C is considered to leave the skin glowing because it stimulates the production of collagen and elastin, accelerating healing and removing fine lines to reveal skin freshness, brightness, plumpness, and shine. Again, the aesthetician kindly explained the entire process to me and offered me extra tips for my skin type and beauty routine.
I certainly left Cocoon Urban Spa feeling as dreamy and relaxed as I’d hoped, with skin that glowed for days and has improved in texture ever since.
NOTE: Unfortunately, I forgot to bring my swimsuit along, so I missed out on the chance to enjoy the sauna, steam room, and jacuzzi, but there’s always the next time!
While at the Spa, I stopped for a chat with Maria Poulada, the co-owner of Cocoon who together with her sister has led it to develop and evolve into a truly fantastic place of holistic wellness for Athenians and visitors alike.
Getting to Know Cocoon Urban Spa: Q & A with Maria Poulada
How has the wellness scene in Greece changed since you first opened 20 years ago? It has broadened and multiplied, which is great. However, more and more schools and Yoga Teacher Training programs are churning out “therapists” and unfortunately, during my recruiting efforts, I’ve seen that the quality has dropped significantly, and inexperienced teachers and masseuses are being absorbed by the market and lowering the standard.
Where do your therapists train? Most of our therapists are very skilled and have studied Natural Health Science. It’s one of the oldest and most respected schools in Attica. I usually ask the teachers from that school to recommend grads for me and it’s worked out great.
Who are your customers? Cocoon Urban Spa has a wide range of customers, from people who come for a profound life-change (to decrease chronic stress or pain, improve sleep, etc.) and visit us on a regular basis and then there are people who come once a year to treat themselves on their birthdays or to give a gift. I think we are the only place in the city that offers a truly holistic wellness approach, passive and dynamic therapy, encompassing treatments, yoga, acupuncture, and homeopathy.
What would you recommend as The Ultimate treatment for post-lockdown stress? It’s a bit subjective. Some would say it’s the Shirodhara or any classic massage. For me, personally, it’s Yoga. The Hatsumomo is a terrific overall detox treatment and if you couple it with a deep cleansing facial or a Renewing Facial, you’ll look and feel brand new! The CBD oil massage is deeply relaxing and works well for anxiety-related stress.
What kind of products do you use for treatments? We’ve remained very old-school, sticking to our philosophy of hands-on therapy and natural products. It’s vital to use the highest-quality products for massages and facials. We’ve been using Decleor and Jurlique for ages because they’re natural, organic, and biodynamic. Also, the quality is terrific. You relax just by smelling them and the results are fantastic.
As published in In+sights Greece (www.insightsgreece.com)
There are many ways to simplify your life, however if you start from the premise you are very busy and life is a challenge then you will not have the real formula to succeed.
BY ELIZABETH ANN MORRIS
Is your life simple or complex? What would your answer be? Creating simplicity in your life is something you may aspire to, but have yet to achieve.
Intrinsic within the ancient culture of Greece is the virtue of simplicity. Ancient Greek philosophers praised simplicity. This may be why it is still visible in the Greek way of life. Perhaps this is why so many people return again and again to Greece. A panacea for a lifestyle fraught with surviving in a world of stress and conflict.
There are many ways to simplify your life, however if you start from the premise you are very busy and life is a challenge then you will not have the real formula to succeed. You can strip your life back to basics – but if these are built on expectations of what you are trying to achieve rather than the expression of your true soul purpose; simplicity will become mundane and boring instead of being joyous.
Simplicity is not created in the mind. It is created in your heart. The mind can take action, based on what your heart knows is right for you. Your heart is the bridge to your higher self (or soul). Your soul holds the wisdom and truth of who you are and what you are here to achieve in this lifetime. It pulses down light into your heart, gently reminding you that you are a unique being with a special purpose to fulfil in the evolution of our planet.
Yet the ego mind is alluring – it pulls us away from our heart centre into complex materialistic expectations of life and how it should be. It offers us a myriad of choices in everything. This in turn creates conflict. What if we make the wrong decision? Life then becomes stressful.
Recent global events are a divine opportunity for us to take a step back from our current reality and to review what we valued in life. However, for many this was a mind rather than heart exercise which has resulted in high levels of conflict and fear.
Our heart continuously calls us back to simplicity of soul expression. Your soul wants to express its truth, it’s compassion and its wisdom through you. Young children remember this – watch them play and you will see soul expression in action. Nature is another cue to the harmony and beauty of life.
If you are called to simplify your life here is a visualisation that can help. A notebook and pen will be useful to record your insights.
Find a comfortable space where you will not be disturbed. Gently close your eyes, place your hands on your heart centre and focus on your breath for a few moments.
Start to quietly hum …………….and sense the vibration in your heart and your body…… repeat this hum 11 times – or longer if it feels right
Send this energy down through your feet and imagine you have roots growing down from your feet ….. flowing into the centre of the planet
Connecting you to Mother Earth and all the ancient wise beings who walked on this planet before you……
Let this connection flow up into your heart …..
Then sense the vibration flowing up from your heart through your crown to your soul chakra……uniting you with your divine purpose
As you breathe let this light fill your body ……..
Call in your angels and guides if this feels right…..
Start humming again ………for a few moments …..
Now focus on what is precious to you ……..
Stay quiet…… and notice what you sense and feel
When you are ready deepen your breathing, feel your feet firmly on the floor and open your eyes. Drink some water
Take the time to reflect and record your experience in your notebook. Pay attention to what is precious to you. Everything you do should be in harmony with this. The deeper your understanding of your soul self the easier it is to simplify and let go all that does not serve you.
Take the time to visit your heart centre every day and attune to the truth of who you are. Then you will see the world through the eyes of your soul.
All will be clear all will be simple and all will bring harmony peace and joy. Then when you return to Greece you will taste the nectar of life even more.
Elizabeth Ann Morris is a worldwide spiritual teacher, writer and healer. She has dedicated the last 30 years to exploring and developing workshops seminars and teaching programmes which empower people to find the true meaning and purpose of life. Her first taste of Greece was in 2010 when she came to dliver workshops and healing sessions. Book a Session with Elizabeth Ann now on her site Sacred Oracle Teachings
Clara Davaar appeared into my life one day out of the blue on Facebook messenger – she had found my website and got in touch to tell me she was planning to come to Athens to teach a workshop called The Voice of the Uterus that she’s been running around the world. A few weeks before I’d had a session with Soul-Sounding healer David Kennet during which he worked miracles on releasing and clearing a great deal of stagnant, negative and blocked energy from my first and second chakras, areas that if in balance permit a sense of survival, belonging, security, sexual power, creativity and intuition. Areas that I knew deep down were blocked but had not had the courage to face or enough knowledge to deal with (we are always better at healing others than our selves) – perhaps because I didn’t know where to start, or because there is such a critical, conservative sense of shame and guilt associated with them, owing to staid and religiously conservative cultural beliefs related to the reproductive area when it comes to women. So when Davaar sent me a message asking whether I knew of any spaces to suggest for her seminar, I saw it as a clear sign that this was Step II on my path to reconnecting with, and reawakening my sense of self as a healthy, balanced, powerful, sexual and creative woman who honours her femininity in all its strength and vulnerability. I immediately thought of Meredith Pavlides, a holistic therapist, teacher and superwoman-organizer of the holistic healing community in Athens, who runs a new space called ATMAsphere in Syntagma, and the rest is history.
As the weeks passed and the date of the workshop neared, I wondered more and more, “what IS the voice of my uterus?!” and realized that not only was I completely incapable of grasping the mere concept of my uterus as having any voice at all, except when it has sometimes ‘cursed’ at me in those pre-menstrual moments that have had me reaching for painkillers. I also realized that although I have a very strong sense of my heart, my brain, my intestines and sometimes my kidneys and their voices, when I tried to conjure even an image or feeling of my uterus beyond the textbook picture all I could hear was silence and all I could see was pitch darkness. Why should this be? After all, it was that very uterus that had so capably and gracefully been the first home of a spark that developed through nine months into a fully developed baby boy. During my pregnancy, I viewed my uterus as a super-flexible miracle machine made of Technicolor fibres with uber hi-tech wiring that included things like an automatic dimmer-switch for the perfect lighting, food delivery service, plush cushioning, fun and floaty water and temperature control that offered my growing boy all that he needed. I would light candles, take baths and, hands on uterus, sing to him with all my being. Then I would gently rub vitamin E oil over my belly, feeling the spa-style attention soak through my uterus and into my baby’s heart.
And now it was a silent, pitch-dark space?
On the day of the seminar, as it often happens, I didn’t feel like going. I felt too vulnerable and a bit embarrassed by the idea of sitting in a room with a bunch of other women talking about our uterus and sexual organs. I dreaded the idea of partner-work or being asked to dance or writhe around the room as so many teachers of such workshops demand, which brings out all my teenage self-consciousness and makes me want to run as if from a raging fire. I took out my deck of Angel Cards and asked “should I go to the workshop today?” and the card I picked was Body Care. Ok, that was a clear enough answer! As I entered the light and air-filled space I was surprised to see a circle of completely diverse women. There was one rock-style woman with tattoos and jet black hair, a shy-looking woman with aquiline eyes, a hippie skirt and short white hair, a heavy-set woman with dark hair and a more conservative look, another woman with a sweet face who looked 16; there was no “type” and that in itself made me immediately feel like I fitted in. Clara, with her dark, wavy hair, huge smile and bright eyes exuded a confidence in her Argentinian temperament as she addressed us with humour and gentleness. She asked us in a very matter-of-fact way to go round the circle and talk about our self with regards to our sexuality, our connection to the history of our uterus and of our relation to vocal expression or singing. As if hypnotised, because after all none of us really knew each other at all, and this was seriously personal stuff we were about to share, we each spoke our truth. We heard each other’s stories feeling the speaker’s pain, remorse, rage, melancholy, fear, but also pride, bliss, hope and power. Just in doing that, we immediately realised that first impressions can be so delusive – there is so much more depth, complexity, magnificence, aching vulnerability and immense strength in the people you stand next to every day. Most important of all was the sinking realisation that despite how different our lives and perceptions and habits are, we are all reflections of each other.
Then we put our chairs aside and sprang into action. We started moving, shaking, massaging, swirling and swaying all parts of our bodies sectio by section, at first gently and meditatively, breathing in and out silently, and soon enough with a build-up of more and more motion and vocal expression upon exhaling. The sense of apprehension I’d had before going had disappeared – I felt completely safe and at ease, empowered and happy to be part of the game. “Movement creates excitement, and excitement creates lubrication, and lubrication creates life!” Clara kept calling out in between her hilarious “aaaaaaaaaaaahhhhhs” and “wooo-hooooooos!” My body felt activated and alive, and when we reached the point of placing my hands on my uterus I could feel its ‘pulse’ – yes! We’ve made contact! And then I tapped it gently as Clara suggested as if saying “hello” and feeling it right there and flooding it in my mind with light, breaking away that lonely, sad darkness I had left it in for so long.
This reconnecting experience in itself was enough of a reward for having attended, but there was another incredible gift to follow. Standing in a circle and holding hands, our eyes closed and our bodies swaying gently from side to side, we were asked to sing whatever came to us, simply to share the feelings that were coming from our reawakened bodies. The older woman next to me began to sing in the most heavenly, rich voice, and I was joyfully startled. Another woman sang, without words, a sad and deeply moving tune that emerged from her. Then another sang what she wanted to say – how happy she felt to be there and how grateful she felt, off-key yet so full of love. The woman I’d considered as conservative-looking surprised us all the most with her amazing, deep blues-jazz voice that would have made Aretha Franklin blush. I had a moment when I thought of singing Piensa En Mi, Luz Cazal’s incredible song, to express that at least in spirit I was there for them, but as it was a thought I went with my spontaneous feeling instead and sang a happy and playful jazz song I’d written years ago based on W.H. Auden’s ‘As I Walked Out One Evening’, because after all, that’s what my uterus – rather than my brain – wanted to sing.
Teacher, therapist and participant Meredith Pavlides relates her own experience of the workshop:
“I truly enjoyed the event of ‘The Voice of the Uterus’ with Clara Davaar. The group of women were so strong and beautiful and we shared a lovely dynamic. Clara is a fantastic guide and can truly hold the sacred space needed to dive deep within – the environment was held so gracefully. She’s very experienced and the class was amazing. Everyone’s face was glowing afterwards. This work is so important for women and I’m so glad I had this wonderful experience, and to share the sacred connection with all the women there. Clara will be back for more courses in Athens and I strongly recommend it for other women! I will definitely be there in love and gratitude!”
“The first thing the male establishment wants to control is uterus and birth. You might call it womb envy. But even worse is the fact that we are still using the male model of sexual response for women.”
— Betty Dodson
I am planning to visit Noosfera Centre in just a few weeks for a Silence Retreat that includes yoga, walks in nature and art, so I will be reporting on my first-hand experience of the place – watch this space!
INTERVIEW WITH IOULIA PITSOULI, co-owner
of Noosfera Wellness & Retreat Center
Alexia Amvrazi:Can you please tell me about yourself, and what has brought you to the healing and wellness field? Ioulia Pitsouli: I met Maria Xifara as we were on the same path, one that both of us walked along on for decades. We both had a bright inner flame burning in us both as we sought answers on life’s purpose and consciousness expansion. We traveled around many countries, attending workshops by various spiritual teachers. We ended up – Maria as a psychologist and me as a journalist (and later author) – developing an integrative approach that encapsulates the spiritual psychology of A Course in Miracles with Greek philosophy and mythology. In this integration we found a powerful healing tool that we have shared in spiritual psychology groups and workshops over the last 20 years.
AA: How did you create Noosfera? How would you describe it? IP: Noosfera Center reflects our personal need for a seminar space that, unlike impersonal hotels or makeshift, uncomfortable ascetic cells, stands out because of our personal touch. It has the “air” of a boutique hotel but actually is a purposely built complex of wooden cottages especially created for self-awareness, yoga and recreational events focused on spiritual development. The idea is to offer body, mind, spirit wellness-centred weekends, or weeklong anti-stress and self-expansion retreats.
We believe that the person who seeks peace, joy and truth about himself will also be inspired by the beauty of the mountains and the sea in the horizon that surround our land, and by the rugged charm of the area itself. We wish for our visitors, in parallel to the expansion of their consciousness, to feel pampered and draw joy from details such as the lavender under the sleeping pillows, the freshly fragrant rooms or the “structured” fine water and the organic vegetables coming from our own garden.
AA: Noosfera is the only place in Europe that is decked out with the appropriate audio equipment for the Gateway Voyage and other audio-healing-related workshops. What did it involve to set that up? IP:We were inspired by The Monroe Institute in the USA. Being facilitators ofThe Μonroe Institute in Greece we decided to include in the construction of Noosfera’s buildings the proper technological set-up. With the help of highly skilled sound technicians we managed to wire all the rooms with special audio equipment. Thus we can offer our guests the privilege of listening through headphones for meditation or lucid dreaming exercises while they are comfortably lying in the privacy of their room.
AA: Linda Leblanc mentioned that at Noosfera there is a “spiritual community”. Could you please elaborate on this? IP: We strongly believe that we are much more than our physical bodies so we gladly support workshops, given by us or others, facilitating people to have personal experiences of their spiritual self and their inner splendour. Forgiveness, is also among our core interests. During the 5 years that Noosfera Center has existed, like- minded people have been drawn here and, wanting to share and participate in our vision, are building cottages near Noosfera Center, gradually creating a spiritual community of sorts.
AA: Do you live there & run courses and workshops year round? What kind of events take place there? IP: The first half of the week we are in Athens running psychology groups, and from Thursday to Sunday we are at Noosfera running our own workshops or supporting groups who come for their programs as Noosfera Center is also open to groups that would like to host their activities. Yoga workshops, Silent retreats, Tai Chi and Holotropic Breathing workshops, A Course in Miracles and The Monroe Institute’s programs are among the activities taking place every week, year round.Alternative summer vacations and Christmas / New Year holistic retreats are also among the highly enjoyed programs offering warmth, self realization and new friendships to the participants. Noosfera thus offers meaningful “escapes” from the city and limited ideas of self and life!
Interview with Gateway Voyage Facilitator Linda Leblanc
And so the journey continues. I keep being drawn to the people and practices that can remind me what I already know, in my heart, but cannot yet fully grasp in my mind – not that it should really matter! That I am already one with everything. That I have all the answers I’m seeking. That everything is an illusion and truth at once. That to learn, and change, requires discipline. That once I can relinquish the idea that such discipline is uncomfortable, difficult and yes, even painful, (because it requires me to let go of patterns, behaviours and ideas that I’ve been ‘indoctrinated’ into by belief systems founded on creating molds), the practice of being, truly, will be easy. Because when I am in true connection with my soul, I will not be trying so hard. In fact I won’t be trying at all. I will just be…
Dutch shaman and teacher Roel Fredrix has been visiting Athens on and off over the last year, running workshops on shamanic healing and the Medicine Wheel, via a course called the Inca Mastery of Life Training. I attended Fredrix’ workshop on Munay (heart energy) at Inner Flow Centre Athens and discovered lifetime techniques for empowering and healing the self and others. One exercise was centred on creating an energy drawn from the earth and from the heavens and concentrated within the heart, and then adding to that a profound sense of joy. It was amazing as I practiced sending this energy to a partner I worked on, as she talked about some of her most painful memories. As soon as she would get stuck in a sense of trauma and sadness I would send my joyful, loving heart energy to her and she would feel soothed and would move on. “The most serious thing of all, the Q’ero shamans say, is humour,” Fredrix told us, adding that when your heart is filled with laughter and joy it is at its strongest and most protected from outside energies.
Two days after the workshop I had the pleasure to interview Fredrix to delve deeper into who he is and his teachings.
Alexia Amvrazi: Who are you? Roel Fredrix: Who am I? That’s a good question. Actually that’s what the whole journey is about. Who are we? Who am I? I can give you an answer on many levels. My name is Roel Fredrix. When I give an answer on the level of the mind I will tell you the stories of my past and my profession and what I have been doing in life, and that I am the father of three kids, and that I come from this part of Holland. That’s one identification on the level of the mind. But on my journey I discovered that I’m not that. Those are only roles that I play and identifications with stories in my mind. I’ve had quite some mystical experiences, and when you transcend the ego you find out that you are the process of life itself, and that what you call you is everything. It’s you, it’s us, it’s everything that is expressed as the divine. I’ve experienced myself as many things; I’ve had a lot of shape-shifting experiences. I’ve experienced myself as a volcano for example, or a star. When you have these kinds of experiences you realise that you can shape-shift into anything, and the experience comes from just a shift in awareness. So, it’ hard to say who I am (laughs). In the normal world I am just a man.
AA: You say “just a shift in awareness” but for many people that is very challenging to achieve. RF: Yes. It’s not “just” a shift in awareness… It can be a shift in one second that happens spontaneously, or it can be a shift that you need to work for intensively. But the only thing is that you have to remove something to reach it: your belief system, your mind, your programmes or ‘software’.
AA: What drew you to shamanism? RF: In the beginning I wasn’t drawn to it at all. I was educated as a physical therapist in Holland and had my own practice. I was always interested in alternative medicine, since I was 16-17 years old I was studying about the paranormal, astrology, numerology, I had a dream diary as a child… but then I got into the medical training, and they program you with western, medical, scientific thinking, so that went away for a little while. Until I was around my 30s. First I had my sports career and I worked in the sports world and teaching about sports injuries and that kind of stuff. But there was a sudden change in my life – I was in the Dutch National Team of Ultimate Frisbee and I was playing in the world championships in Sweden and in the first game I broke a bone in my foot. This was after I’d been training very hard for a year to get in the team and make it there, and then it snapped. I had put everything in my life aside for that training!
AA: Did you feel you had subconsciously caused that accident for yourself? RF: Yes, I think so, nothing is coincidental. I needed to stand still in life, and reflect on the path that I was going towards. So from that moment I decided I’m not going to do that again!
As a physiotherapist I was using some alternative therapies in my practice -kinesiology using muscle testing. A rheumatologist was sending a lot of patients to me whom I couldn’t test because they had inflamed joints, so I was seeking a way to see into them via their subconscious through the layers of pain and trauma without muscle testing. I read and followed the practices related in Brandon Bays’ ‘The Journey’ but that required working on people who could use visualisation, and some people can’t.
So when I read about Soul Retrieval on the Four Winds Society website I thought “oh wow! In this way the shaman is going into the subconscious instead of the person himself.” I listened to Alberto Villoldo’s Soul Retrieval CD and then I checked if he was giving courses and he was giving courses in Holland! I immediately went to the course, and it felt very strangely familiar. It was like I’d been doing this for years. I started using it in my work, and from my first sessions I had great revelations and insights. For the people I was treating it was about getting traumatic experiences out of their system. But the message I kept receiving was “that’s not important my son – it’s much more important to show you this, or that, and to make great connections with guides.” It gave me really crazy experiences.
AA: So would you say that our said-trauma or pain is more like a prop, covering up other things that are there that need addressing? RF: Yes definitely. It’s one of the ways that the ego holds us from experiencing our soul. And the more trauma you have experienced in your life, the louder the voices in your mind are. The sub-personalities, the archetypical voices in your mind, like the controller or the protector, or the fear or the perfectionist, all these impulses that give thought in the mind, are very loud if you have a lot of trauma.
AA: So they shut out even more the strength and peace that you have inside? RF: Yes, and that’s what I like about the shamanic path. First, it’s growing roots. It’s first taking care of the wounded ego, so the ego voices get less. It turns down the ego, softens it, and so it gets much more quiet inside. To make space to hear the whispering of the soul. And as soon as you start to hear that, you know ‘ah, my life is not only about what’s going on in my head, my life is a journey of the soul.”
AA: So it’s also a way of looking at pain or trauma in a positive way, would you say, because it’s your gateway directly to going into a higher state of being if you can resolve it… RF: Yes, and almost all people come to the spiritual path because they are seeking something. They are seeking healing, love, happiness… So people always come to the path because they don’t have it – they don’t feel happy, lovable, or they don’t feel free in their lives. So they start looking for something.
AA: So since you started on your path as a shaman, how come you found yourself in Greece? RF: That’s a nice story – I was on a website as a graduate of the Four Winds Society; there was a teaching company here in Greece, and they were searching for someone to teach Munay-ki, which I was doing in Holland. They happened to pick my name from the website, where there were many other people listed, and asked me to teach here. The coincidence was that I was at that time looking for new ways to express myself. I wanted to go deeper and not only teach small workshops but offer a deeper education. Meanwhile, my secretary, who is also on this path and receives private sessions from me, one day during our session said she had a dream she needed to tell me about – she told me she had dreamed of my father, who has passed away, and that he said ‘I am helping you to work abroad’!
What is the most important aspect of your teachings?
Once you step into your soul’s path and recognise that you are not an ego you can create a re-identification, realising that you are not your stories. You realise that you are on a journey to express divinity in its highest form, so you grow into mastery, that’s why my course is called Mastery of Life Training. To master your energy, your wounds, your mind, your emotions, to master your love, your wisdom and your power. And as you move to the last step, it offers you opportunities to awaken to whoyou really are, and to set your own vision of how you want to bring that awakening into the world. What is your highest vision of expressing yourself? What do you want to give to the world? Because in the beginning the wounded ego only wants to take. At the end you identify with everything and you want to give, because you know that in the giving you are giving to yourself.
In JUNE 2018, Roel Fredrix will be teaching the South Direction of the Medicine Wheel in two long, intensive weekends (1-3 June & 8-10 June) as part of his Mastery of Life Training in Athens. For more information contact Roel Fredrix at: email@example.com
I first heard about Rene Mey through a friend who was diagnosed with a herniated disk which caused acute sciatica. She was in agony for a month before she had her first session with a Rene Mey volunteer. Cortisone pills helped only temporarily, the prescribed swimming only made the pain worse, but from the moment she felt her friend’s healing hands, she was filled with immense love and every day brought improvement. After three weeks of daily sessions, she felt completely renewed and six months later has not had a twinge of back pain or sciatica since, even though the MRI showed chronic long standing damage.
I started to research Rene Mey, a French humanitarian who was offering respite to the wider public and teaching energy healing techniques throughout south and north America, and in recent years eastern and southern Europe, and about whom evena moviehas been made. A Jesus-like figure, Mey’s message is one of spreading compassion and love throughout the world, by teaching his techniques, which he is said to have received instruction on from light-beings.
The techniques are described as Emotional Medicine, based on Mey’s ideology that our emotions rule 85% of our overall wellbeing. There is extensive scientific research proving that emotional injury registers in our physical body exactly in the same way as a physical pain; if we can clear emotional / mental blocks and create flow, our physical health inevitably improves. When you have a loving intent to help another and you focus on both the physical and emotional pain of another, using techniques that include hands-on energy healing and tapping in places that are blocked, the health-giving effect is powerful and reaps high results. There are indeed countless testimonials from people who have been treated by Rene Mey volunteers for periods of time as short as a few months and like my friend, have experienced complete recovery.
His master instructors teach volunteers around the world, who then are encouraged to go on to offer this healing to anyone in need, free of charge. He has also created health clinics for the poor, and his volunteers supply food, education and assistance to those in need.
Intrigued and excited by this news I attended a workshop when master instructor Anilu Fiz came to Greece several months ago. Based in Mexico, she was in Bulgaria offering trainings and two Greek volunteers organised a three day stop-over here to introduce the Cellular Regeneration, the first of the three techniques, to the Greek public. Around 30 of us present were taught the technique, which we practiced on each other, and which can be done in the standing, sitting or lying down position, and were encouraged to offer it to anyone who needed it.
The real objective, as Anilu Fiz says in the video below, is to go out and offer it to the homeless, refugees, the elderly, the sick – ideally not to keep your abilities only to the confines of your immediate surroundings, because real compassion comes from actually having contact with those we don’t know and understanding them better, caring for them, offering them the kind of help no one usually wants to give. Personally I haven’t done that yet, but I intend to every day, and I know I will start to do so very soon. It takes time to digest such a new way of looking at what we can offer to others on a wide scale.
The video below was conducted on Skype at the end of December 2017. The sound quality is not ideal, as our connection was bad and our calls were interrupted 10 times! So I did my best with what I had, because Fiz is very busy and time has lately not been a luxury for me either, with the sole intent of getting Rene Mey’s message across. Please help by sharing too if his mission resounds in you.
Rene Mey will possibly be visiting Athens, Greece at the end of January 2018 and Anilu Fiz will be back for trainings in February of this year.
I first met Joe Tornabene when I attended his Sound Balancing class at Ilium Center of Light, a class that was described as somewhat “legendary” by various of my performer (musicians and actors) friends and not only. Having just actively returned to the world of sound healing after a session and interview with Soul Sounding practitioner David Kennet, I was eager to remain on the powerful flow of auditory therapy.
A New Yorker of Italian origin, Tornabene is an award-winning musician, stage and film actor and sound designer. He has been deeply connected to Greece since 1997, while also teaching workshopson performance, awareness, sound balancing, improvisation and energy perception in around 10 countries and performing solo and in duets, and playing the baritone saxophone in Europe and the USA.
A few weeks after trying his class, I visited Tornabene in the place where he was being hosted in a charming part of Plaka by his choreographer friend Anastasia Lyra. After I entered a beautiful rustic-style courtyard and then a small but cozy space where Tornabene was staying, he said “Before our interview, let me show you something” and led me through to a laundry room. “I’m not going to show you a laundry room!” he laughed, before heading through yet another door in the maze-like interior of this old Plaka mansion, like the White Rabbit in Alice in Wonderland. Intrigued, I followed him through to the other room, seeing mirrors with bubble lights and rows of costumes. “Er, this looks like a dressing room?” I said, confused. “Yes,” he said, opening yet another door, “come!” And on to the next area – dark, until he turned on the lights with a clack and saying “look!” swayed his hand forward to present to me an entire theatre down below us! “We are in the Mikroskopiko Theatro” he told me, as I looked down, completely amazed. “The walls and seats are 2000 year-old Roman walls!” he informed me, just adding to my surprise. It is here that Lyra presents dance and music performances she choreographs, and where Tornabene had the good fortune to rehearse any hour he liked. Back to his “bachelor pad” as he laughingly described it, we sipped our coffee and got on with our interview.
“We work with experiential anatomy, which is accessing the different energy qualities, the different body systems. It’s very powerful work for the performer and also of course on a therapeutic level,” Tornabene says. As he talks, I can’t help looking around me to “listen” to other parts of him spread across the space: his baritone saxophone, books on sound healing, tuning forks in their boxes, and alas, even a telescope. “I lived in Sounio for a summer, and wanted to see the stars from there,” he smiles.
“All the studies and research that I do, feeds into the central core idea of energy awareness – the awareness of the energy transforming, and being able to navigate with that, either in a therapeutic setting, with the intention of balancing and creating a healthy dynamic; in the performance work it’s about expanding your expressive range and getting a much stronger and deeper relationship with the dynamics of space, the rapport with the audience etc. So it’s quite a circular, radial way of researching and developing work as opposed to a linear approach.
HOW DID THIS AWARENESS AWAKEN WITHIN YOU AS A PERFORMER? There were three major streams – in the Early 80s I was sound-designing and composing for a New York Choreographer, RoseAnne Spradlin, she’s an award-winning choreographer & still quite active in NY. She was studying the body-mind work, Bonnie Cohen’s work, and she started describing the music that I was bringing to her in those terms. I said “What the hell are you talking about?!” She would describe various musical textures as very “bone-like” or “very organ-like” or “accessing skin” and so forth and I got very, very curious about this, I said “what is this?”
“So we started doing Body-Level work at her apartment in NY and I started sensing a possibility of developing a much richer relationship with the movement, music, energetic thing that I was involved in. Then I also had a colleague who was studying the Laban work, and so Laban’s space and effort started to also be a stream in this. And then at the end of the ‘80s I went for therapy sessions with John Beaulieu who was working at Polarity Centre at that point (he shows me his book, Human Tuning, Sound Healing with Tuning Forks, published 2010). It was 1989 and we did speaking therapy, he worked with Tibetan bowls and with tuning forks that he designed and I purchased from him at that time, which are based on the Pythagorean numbers which have a very curative aspect, and also hands-on work. And at the end of these sessions he turned to me and said “Joe would you like to do this work on other people?” cause he had a sense that there was something starting to move in me. I got terrified! I couldn’t imagine working with a recipient on a massage table and actually using my voice and the forks. But he had this very interesting smile in his face when I had this reaction cause he knew that something would happen.
“So I started using that particular work – the fork work and voice work – and started developing it so that I could become a better musician, and it has very strongly informed my work through the years. And then I moved to Greece and in 1997 I met Jenny Colebourne.
WHY DID YOU MOVE TO GREECE? I met a Greek woman in Amsterdam when I was teaching at the School for New Dance Development and using Amsterdam as a base to teach in other countries in Europe in theatrical work primarily. I had the Amsterdam working Group and we met once a week for two years, exploring a work called Experimental Listening, where you listen to a recorded piece of music and we would write down our reaction to it – on any level – the phenomenological level, the emotional level, and then we would do an hour to an hour and a half doing experiential anatomy exploration – for example we would work with the bones through touch, movement, accessing the energy of this body system. And then we would re-listen to the music and we would share and journal and process, and the results were quite astonishing – the perceptual changes, the relationship changes with how we entered the music and what we heard and what we were sensing and how the space transformed and so forth. These results were published in Contact Quarterly the year after in 1997.
“So as I said I met Jenny Colebourne and she said I’m going to organise a workshop for you at Ilium Center of Light. I said “you want me to teach this stuff?!” and she said, “Yes!! Do it!”. We had 17 people in the first workshop, and it was really marvellous – I felt a fluidity with it, an ease with teaching it and working with it.
“In late ’97 I also started teaching at a prominent theatre school here, where I taught for five years. I started integrating the experiences I was having in the therapeutic work, my own, by that point 20-something years in the performing arts, primarily with dance & theatre, and this integration started to occur. It worked very very well in the theatre setting, the students that i bump into now 20 years later still say they use the work, and how rich it was, etc.
IS IT MAINLY FOR PERFORMERS OR FOR ANYONE? In the therapeutic work we are using a lot of explorations that I have developed and use in the theatrical training, but it’s designed to have a therapeutic base as well. So these two streams are by now quite integrated in my work.
WHICH PART OF YOU DO YOU FEEL IS MOST PROMINENT? I think they’re pretty well balanced… In the article“Cycling through awareness protocols, creating music from a body-based energetic perspective” published in Berlin last year – that’s pretty much the essence for me – I create primarily solo work – my performance work and practice regime is driven by my awareness and sensibility of moving through varying body systems, energy systems and so forth, and witnessing the influence of these different energy transformations, and allowing this to manifest in the moment-to-moment creation of the work.
HAVE YOU STUDIED HOW YOUR MUSIC AFFECTS THE AUDIENCE? I generally get very positive responses – that it’s very warm, and generous and has a healing aspect. But it’s in the development stage – I think in 30 years maybe it will have matured a bit. I’ve only been at it for 35-40 years– it takes a while! (laughs)
WITH YOUR MUSICAL PERFORMANCES YOU’VE WORKED WITH ALL KINDS OF MUSICIANS AROUND THE WORLD. HOW DO THOSE PARTNERSHIPS EMERGE? I’ve worked primarily in dance & theatre and I choose the musicians I work with very, very carefully. They have to have a sensibility, they have to be very strong & confident improvisors. With dance & theatre I love entering this wider, energetic context – my sound goes out into a space, there’s a kinaesthetic aspect occurring, perhaps text, and I start to nurture what I call the third entity, this energetic thing that arises between the sound I’m creating and the other aspects on the stage.
SO THATS SOMETHING YOU CAN’T QUITE REHEARSE FOR When there are rehearsal situations, it’s more about finding how we might walk into form, how we might inter-relate in those terms. But rarely are things set; I work with mature people so we trust our ability to interact moment-to-moment and witness the evolving form and to nurture that. When I do solo performances the only thing I plan is about the first 30 seconds so I can have a tiny bit of comfort to kind of cut the ice a bit. But for the next 30-40 minutes I’m travelling with this awareness process and how I’m sensing the audience, the space, how I’m listening to the silences, what came before the silence will inform what comes after it – and in the ideal situation I really trust this process.
SO EACH TIME IT’S DIFFERENT Yeah. I try to continually break the syntax of my gestural work, that’s a large process for me. But it’s really driven a lot by how I’m sensing how my body is informing the process moment-to-moment. It’s challenging and quite an amazing energetic place to be.
IN OTHER PARTS OF YOUR LIFE HOW DO YOU FIND THAT PLACE? The therapeutic work (laughs)…has saved my life, literally! I used it to balance my psychology and my inter-relationships with every aspect of my life. I’m constantly trying to learn; it’s a massive learning process of these minute changes that we continually absorb in our lives because of the complexity of our lives, and to really monitor those and to understand how they’re affecting my energy levels, my general health, my psychology – and to be able to transform the ones that are creating negative issues.
“I have this belief that ancient Shamanistic rites were also built around this premise. They were not only going through a curing ritual but also imparting to the health-seeker ways to understand his or her energetic body and all the other parameters of moment to moment life ways so that they could walk away and enter self-healing., If you study the way shamans worked, it’s such an energetic foundation to their work – even the herbs they used – all of this was energetic vibrational type of medicine and approach.
Interview by Alexia Amvrazi
TORNABENE’S SOUND BALANCING CLASS @ ILIUM CENTRE OF LIGHT (Dimocharous 18, Kolonaki) take place every Wednesday. It can be attended as a year-long series or as a one off. For more information call: +302107231397. Tornabene describes the workshop as follows: “My workshop at Ilium is really about empowering the individual to find ways to manage their health & psychology & emotional flow, giving the very simple techniques that they can start to travel with, so they can become more self-sufficient and more confident, and trusting in this innate aspect of human beings to balance & heal the energy body. I really believe that this process of healing was also a teaching process for the recipient to become a self-healer.”
Tornabene also teaches at SECRET PLACE in Maroussi
* 9 -12 December 2017@ KINITIRAS
A presentation of Kinitiras’ Residency for composers and choreographers, presented by Joe Tornabene and Thalia Ditsa.
Children’s performance Stin Hora Tou Giati (In the Land of Why) at Kinitiras Theatre as a musician / mover on December 17 & 24 and January 7 and 14 2018.
* Performance as actor / mover @ Kinitiras Theatre production Deep Sigh (Βαθύς Αναστεναγμός) which opens on February 9th, 2018 and will run until the beginning of March.
He also offers private Sound Therapy Sessionsusing Therapeutic Touch, tuning forks, voice, movement.
I went to my Soul Sounding appointment with David Kennet not quite knowing what to expect, except that I would be receiving some form of sound healing, which I love. The power of sound resonates deeply in all of us, for some more consciously than others, and having tried various forms of sound therapy in the past I was excited to experience Soul Sounding.
The first part of my session with Kennet, a clean-cut, elegant man with a calm voice and polite, gentle manner, was centred on discussing my beliefs about myself and life. “What do you want from this session?” he asked me, adding, “It’s very important to set your intention before the session, as with everything.”
I too am a believer in the power of intention – we set our intent carelessly most of the time, achieving what our subconscious directs us toward without even realizing it. There are so many books and other media out there about the power of our intent in manifesting our reality – call it the Law of Attraction, Abraham Hicks, The Secret or whatever you like, essentially it is something we already do by focusing or thoughts in a certain direction, our heartruling the way with its emotions with a force that transmutes the cellular structure of everything within and around us. “My life is so crap!” people complain, often not realizing that they are dedicating almost all their energy to making it that way by visualizing the worst, using technicolour, dynamic and completely realistic imagery that makes them feel what they fear most is actually happening, and which then registers on a physical and conscious level as an actual experience! And even when they stop to imagine what they want, in a hopeful moment, they often crush it with an infernal crashing thunderbolt with the little words “as if!!”
The art and discipline is to connect with our heart and mind and see what emotions and thoughts are there, understand what is true to our being and honour it through love, before altering it to its best potential and directing it with a loving, powerful force toward what it is we truly do want to create. “Holistic healing is very much about us each remembering that we are our own best healers, that the body is designed to heal itself, and again, we just need some tools,” Kennet says.
Based upon the things I revealed about what I do and do not feel, want and believe, Kennet created some affirmations for me to repeat and then using applied kinesiology and muscle-testing, showed me what my subconscious really does believe and what it doesn’t. It was a fascinating process, as I saw how, for example when I affirmed “I am happy to have money” my subconscious gave the green light, but when I affirmed “I am happy to be wealthy” there was a resistance.
It was an a-ha! moment, because despite years of affirmations in that direction, my deep-seated subconscious belief that money is good because it helps you survive, but wealth is a corrupting force, because after all, look at the line-up of the 1%, has very likely stopped me earning to my fullest potential.
“We can actually unconsciously have an intolerance, a resistance, almost like an allergy, to things we want,” Kennet tells me, “even though we are consciously telling ourselves “I love myself, I love myself, I love myself,” if the unconscious is running a programme that says ‘you are unworthy or don’t deserve love’ it’s very hard to experience the actuality of “I love myself”. So what do we do about it? I ask. Kennet shows me some tools for working on myself using Brain Gym techniques, but the main work will be done on the Soul Sounding table.
On the healing table, Kennet uses a variety of instruments including crystal singing bowls, Native American flutes, tuning forks and a giant drum, which he says, laughingly “penetrates and goes , deep – even if there’s a resistance to healing, there’s no hiding!” His main instrument, he tells me, is his voice, which he uses intuitively, however he feels guided to. Kennet grew up with music, as his father Michael Small was a celebrated film score composer for Hollywood (“hearing him compose for movies,from early at sunrise, or blasting classical music in the house, was definitely influential”, Kennet says), and in fact it cured him of the chronic, life-threatening asthma he was diagnosed with since early childhood.
“My mom had to rush me to hospital when I had asthma attacks so they could save my life, giving me an adrenaline shot which would open up my bronchial tunes and make my heart pound very intensely. So Western medicine saved my life. Ultimately what happened was that I met an amazingly evolved man called Dr. Kenneth Mills, who was a metaphysician, musician and composer, and who revealed the gift of song to me, which was already mine but I didn’t know it was there. The more and more I sang, the greater and more ease I had in breathing.
“The reason for that I think was threefold: the physical component that came through singing was that I was taking deeper breaths; on a very fundamental level when we sing, we open our diaphragm, so I was exercising the muscles in my lungs. On an emotional level, I believe that singing allows us to expand. It opens up or emotions, takes away shyness and allows us to express ourselves. And on the spiritual level through singing we are also connecting to the source, because sound is what we are, so when we make a sound we are aligning ourself to creation. Mills had a singing group called The Star-scape Singers that I was very honoured to have been included in his ensemble.”
When the singing ensemble disbanded in 2004, Kennet set off to learn under other great teachers such as the sound healers Tom Kenyon and Johnathan Goldman, learning about how sound is effective in self-empowerment and healing. He also studied at the Canadian School of Natural Nutrition, and the Integrative Natural Technologies School in Canada to study allergies (over the years he has helped a multitude of people of all ages recover from allergies), and trained as a licensed massage therapist. “Above all I’m excited about bridging the world of mysticism with science. Bottom line is that I get a very high percentage of results, and this to me is the validation of the power of sound,” he says.
As I lie listening to the sound of the crystal bowls he is playing, I feel the sound waves vibrate through my chest and back, and my thoughts fall away. I start feeling peaceful. “Sound is a carrier wave that is capable of penetrating our skin and our cells, our bones, it can go right into our bone marrow. So sound is a very effective way of penetrating our ‘walls’,” Kennet says.
When he starts to sing, I am momentarily stunned by the impact, bold colour, sophisticated texture and infiltrating power of his voice, and find it almost impossible to connect this voice, which literally feels like a biblical force, like a flood of light emerging through the clouds, with the low-key individual I was just chatting with over a cup of tea. His singing transports me to a place where I look around and see angels and, as I scan the circle of those around me, I see my grandparents, looking at me with loving smiles. I remember now that whatever is happening in this life, wherever we are, at the same time we are somewhere else, surrounded by the light that we are, that all that we love never leaves us, because it is part of us, and I start to cry with joy and relief. In our session I feel my energy shift and clear on the physical, mental and emotional levels, I see more images, cry a few more tears, breathe deeply, even sleep for a few minutes. I feel like I have been in a whirlwind of sound and light, reconnected with heavenly love and the earth’s dark, rich, grounding energy at once. Thank you David, for reminding me I am home.
David Kennet offered a sound-gift to the readers of I’m Very Well Thank You, performing an intuitive song:
I had interviewed hypnotherapist Dr. Dwaine Hartmana week before going to his evening workshop at the urban chic Inner Flow Athens City Centre space in Monastiraki, and I’d watched several of his video talks and interviews. Yet I didn’t expect what I experienced within those four hours at his Feel The Magic event, and how I have been experiencing the world in a different way since. As soon as I saw him in person I felt a certain familiarity that neither shook or confounded me but that felt reassuringly pleasant. As I took my place at the front of the class on one of the few remaining empty cushions, I turned to look at him and our eyes connected for what felt like a long time but was probably just a few brief minutes; there were no powerful messages or feelings, just a comforting connection, like saying hello again in a gentle way to someone you have not seen in a long while. “Separation is the core of all problems in our society,” Hartman says. “Nobody looks into each other’s eyes and says “I see you”.
His workshop centred on issues that have been central in my life during the last few years – the importance of being able to connect with myself as well as other beings on a real, deep, heartfelt level, without the mind infringing upon this process; my hungry desire to reaffirm the importance and power in my daily existence of my imagination, (which I rode on throughout my childhood and adolescent years, sometimes with incredible results as I manifested things big and small that I’d relished in dreaming up, but had lost touch with this way of being when I became a busy, stressed and somewhat jaded “adult”). Albert Einstein said it brilliantly when he wrote: “Imagination is more important than knowledge. For knowledge is limited to all we now know and understand, while imagination embraces the entire world, and all there ever will be to know and understand.”
Another major focus during the workshop was developing the awareness and ability to locate, face, observe and let go of the dastardly internal critic, of which he says: “The base to all human suffering is the lack of connection to our supportive unconditional source. So what do you think gets in the way of that connection …. that is right … the internal critic. Now what if I was to share with you that this part doesn’t even belong to you?”Resulting from years, maybe aeons of social conditioning, the inner critic resides in each of us, and manipulatively finds ways to sabotage our best efforts, especially as soon as we start to feel we are finally getting where we wished to be.
Hartman teaches above all the essentiality of connecting to our inner child, who came into this world sill completely in tune with its source. He reminds his students that inour heart we hold an inherent knowledge of truth. He teaches his students to acknowledge, befriend and utilise their own god / goddess nature, that part of them that is the creator of their reality at large.
I watched him work with personally with attendees to help them let go of thoughts, ideas and physical feelings some had been carrying and felt confined by for many years, and I recalled the concept that miracles don’t have to be huge and dramatic, with thunder, blazing lights and holy visions of biblical proportions – even a small but significant shift in one’s consciousness, a reawakening to our sense of who we really are beyond the ego and a mindinundated with messages of who to be by the media / education systems / certain family practices and society can change one’s life forever. It can bring on spontaneous healing, which will sometimes last for minutes or hours before one stubbornly returns to a prior state – but will have shown them who they can be nonetheless – or can create a forever shift. Either scenario, presenting the actuality of healing whether short-lived or eternal, is a miracle, when the alternative is continuing to live in a stagnant state of hypnotic misery.
This, above all, is what I enjoyed of observing Hartman’s teaching – his combination of creative yet practical, good-humoured techniques with a renewed sense of remembering that it is up to us how we choose to perceive and live our life. He is neither the first nor the last teacher to convey this awareness in others, but he is definitely one of too few inspiring therapists who this world needs in order to shift its consciousness for the better on a mass level. Amusingly, most of Hartman’s one-to-one interactions with participants ended with shared laughter; the type that comes from relief, when seeing that the horrifying monster in the mind was in fact just a little mouse ingeniously practising trickery with shadows; the laughter that comes from the gratitude of acknowledging that with patience and observation, answers can be found; and of course the giggles that bubble up from finally being able to laugh at one’s self for its long-held, life-defying and ludicrous need for intricately structured drama. That very drama can cripple us in so many ways, which can be very severe, but once we can see beyond it, and detach our self from the clutches we have so kindly paid to sponsor the services of, then we can hopefully laugh.
Hartman calls himself a Trance Alchemist, and works with people on a one-to-one basis through Skype and in person, as well as travelling around the world to teach workshops. His two-day workshop is a more dynamic extension of what we got a taste of on September 11th, and following that, he runs a five-day course for those who want to learn how to be Trance Alchemists who can then use his techniques professionally or personally on clients and friends.
Dr Dwaine Hartman is the author of ‘Value Your Vibration’. CLICK HERE TO VISIT HIS WEBSITE NOW.